I really
enjoyed Pantha Du Prince’s 2010 album Black Noise. If you cast your mind back
you’ll remember a techno soundscape based on a limited sonic palette of
cowbells, glockenspiels and copious other pieces of tuned percussion. It was
like dancing to techno high in the Swiss mountains with a heard of jovial cows
dinging their bells while a buxom milk maid, resplendent with yoke,
simultaneously clangs out a tune on a xylophone and jostles her two buckets of
sleigh bells and chime bars. It’s either a disturbing or extremely pleasurable
experience depending on your personal disposition, but I know which side I’m
voting for. Throw some creamy full fat milk into the equation as well and I’d
be delirious.
Anyway back
to 2013’s Elements of Light. I was anticipating a diversification in the
somewhat limited sound palette, but how wrong can you be? Pantha’s head honcho,
Hendrik Weber, instead opted to move to an even more restricted range of
instrumentation. In short…lots and lots of bells! Hendrik enlisted the guys
from the infamous Bell Laboratory and made an album that should really have
been called ‘Elements of Bells.’ However don’t be disheartened, the resultant
album is a lush, gorgeous and satisfying mix of chilled techno and harmoniously
chiming and peeling bells.
The LP
centres around two epic, and needless to say, overly long tracks; ‘Photon’ and
‘Spectral Split’. Both are moving, emotional pieces of music that evoke
feelings of stark loneliness, the joy of Christmas celebrations and an almost
spiritual journey of enlightenment. There are moments where the bells peel and
merge that literally made the hairs stand up on the back of my neck. Who knew
that bells could be this much fun or make such a beautiful sound?
Certainly not
bell ringers! Why don’t village church bell ringers play ‘Spectral Split’
instead of the usual monotonous numbers they churn out? Alternatively let the
Bell Laboratory people loose in a cathedral and you’d have a capacity crowd.
In so many
ways an amazing and awe inspiring album that everyone should experience. The
picture in the CD case of the studio set-up effectively sums up the quality of
the sounds and attention to detail of the project, with a variety of real
instruments, synthesizers and a rack of thirty feet high pipe bells! With some
high quality speakers and decent audio equipment this is as good as 21st
Century techno gets.
The one I've heard is overlong but it has some brilliant moments within it. I bet when they made this album the bell ringers stipulated in their contracts that they needed an endless supply of tea and custard creams whilst recording. And a musty smelling community room at the back of a church to enjoy their refreshments.
ReplyDelete